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Wednesday, March 31, 2010

Philly Weekly Cover Story ft. Freeway

Philly's music scene in the midst of a renaissance


Austin, Texas, 1987. What started as a seed in the minds of two Austin Chronicle employees as a way to keep butts on barstools during spring break when the University of Texas—and by extension, the city—took off for the sandy beaches of Cancun or South Padre, is now a giant, sturdy Texas oak in full bloom: South By Southwest, the largest music conference of its kind.

This year was the biggest yet, with 13,000 badge-wearing registrants (and countless others not registered) descending on Austin to watch 1,900 bands from 55 different countries playing 89 venues over four days.

According to SXSW.com, the festival’s original goal was “to create an event that would act as a tool for creative people and the companies they work with to develop their careers, to bring together people from a wide area to meet and share ideas.” It’s safe to say that goal has been accomplished. The music business still matters at SXSW. And as it matters in fewer and fewer places, the importance of the conference grows. While music sales spiral ever downward, SXSW adds more venues, bands and registrants (up 11 percent from last year).

John Nova Lomax of the Houston Press put it best in an article about SXSW a couple weeks ago: “Today,” he writes, “for music lovers, SXSW is something like MLB’s Opening Day, Mardi Gras, Fashion Week and the Super Bowl all rolled into one … And if you throw in the Film and Interactive portions of the schmoozathon, it’s safe to say that for much of March, Austin is the creative nexus of Planet Earth, version 2.0.”

And everyone wants a piece—to tie their brand to SXSW’s “creative nexus” in the hope that some of the hill-country cool happening there that week will rub off on their band, their shirt company, their label, their radio station, their marketing firm or their energy drink. Maybe they’ll get discovered. Maybe they’ll sign a modest record deal. Or maybe, at the very least, they’ll get very drunk.

Philly bands are no exception. And, just as in previous years, many of our finest made the trek down to swim the caramel oceans of Shiner Bock, catch a wicked case of the meat sweats and represent our city’s vast aural array.

“It was great!” says Joe Baldacci of Philly rock outfit Elevator Fight. “The experience overall was, as always, fucking amazing. Really, is there a band that would describe a place where they close down streets and every place that could possibly have live music in it does from noon until 2 a.m. as anything but? Austin [during SXSW] is like a checklist of cliched perfection. Great food, tons of booze, clear warm weather, beautiful women and tons of decent music of almost any kind.”

Like our restaurant scene, Philadelphia’s music community is in the midst of a renaissance. The regeneration was on abundant display during SXSW, where, no matter where you went, a band from Philly—Freeway, Free Energy, Dr. Dog, Man Man, Circa Survive, the Movement, Drink Up Buttercup, Tigersapien, Chiddy Bang, Bahamadia, Grandchildren, Reading Rainbow—was on the tip of someone’s tongue, in front of their eyes or ringing in their ears. Even Bill Murray’s. In total, 17 Philly bands made the trip down South. Some busted their asses. Some relaxed at a ranch. Some inked deals. All made an impression.

Walking down Sixth Street with Philly rapper Freeway in anything resembling a timely fashion is impossible. Sixth is Austin’s main party artery—think Two Street, New Year’s Day; Broad Street, Philly’s World Series Victory; fifteen South Street flash mobs piled on top of one another. Hundreds of bars and live music venues sit tightly packed together in fewer than a dozen blocks. On the weekend, traffic is diverted around Sixth and drunks are allowed to clog the roadway by foot. It’s a gauntlet. Lots of bobbing, tons of weaving, turn sideways, speed up, slow down. Watch that puke! There’s a distinct rhythm to it. The more you walk it (or the drunker you get), the easier it becomes.

But when one-time Roc-A-Fella millionaire Freeway and his notorious beard are in tow, that rhythm gets disrupted considerably, and mastering the drunken slalom becomes futile.

Take eight steps, pose for picture. Take five steps, pose for another. Take three steps, listen to a video director pitch an idea. Take four steps, get handed a demo. Take another picture. And another. Before you know it you’ve walked exactly one block in 20 minutes.

Freeway, of course, is famous. He was Jay Z’s pitbull. His self-titled Roc-A-Fella debut is a hip-hop classic. He murdered his verse on “Two Words,” a track off Kanye’s College Dropout, which also featured Mos Def. He killed it again when performing the song on Chappelle’s Show atop a bus. He’s unquestionably one of Philly’s most recognizable rap stars. So it’s no small surprise people want their two seconds with him. What is surprising, though, is how familiar the strangers approaching him are. They want hugs. Daps. Pounds. You’d think many are old friends or family he hasn’t seen in awhile. They’re not.

“They feel a connection to me through my music,” he says, unfazed by the frequency at which a crowd gathers to meet (and film) his every step. Of course, he’s probably relieved.

It’s been a weird few years for Freeway, who has seen his career shift from shiny jewel in Jay-Z’s Roc-A-Fella crown to workhorse at an independent hip-hop label out of Minneapolis, Rhymesayers. Given how seriously fragmented the music business has become, that’s not exactly a bad thing—major label stars Bun B and Birdman also make cameos on the album. The hip-hop universe has shrunk considerably these last few years.

“I’m always gonna rep Roc-A-Fella,” the hirsute MC told PW in February just before his indie release, The Stimulus Package, hit the streets. “That’s where I started and I definitely appreciate everything they did for me. But, as far as everything else, I don’t think it’s a functioning label right now.”

What Freeway may have lost in the transition from a star on one of hip-hop’s biggest labels to a big fish in a small indie pond is quickly forgotten the second you listen to his new album. Stimulus Package is white-hot, and contains, arguably, some of his best work to date. Produced entirely by Seattle’s Jake One, it’s at points rugged, fluid, obnoxious, sentimental, grown up and introspective.

At Rhymesayers, Freeway has more say and responsibility than ever, and is more involved with his art than while enjoying his Roc heyday. This is a good thing, a freeing thing.

“I’m more hands-on with the projects,” he says. “It’s a more personal feeling. I feel like I’m working. I’m with them on every aspect, not just the music—the marketing, everything.”


 
Putting in work is something he learned from Jay-Z, still a close friend and mentor to Free. “He taught me it’s more than music,” says Freeway. “You gotta be about your business. You gotta be on top of every aspect of it. You can’t leave nothing in nobody’s hands.”





Tuesday, March 30, 2010

Behind the scenes "Hello Good Morning" - Dirty Money (Diddy)



P.C.P. March Concerts

Don't miss it!!

Featuring
Bump J., Donny Boy, Stacks Fam, D. Jones, Bam, Ben Jacobs, & Nico The Beast!!
Arts Garage 1533 Ridge Ave. Phila., PA
Doors open @ 8pm
$10 cover

Wednesday, March 24, 2010

Interview with Diggy. No help from dad, he just put in the work.....and he can friggin rap!!

Nyeri live at Crow's Nest performing her hit single "My Sweats" produced by Phae

 Watch as Nyeri creates waves singing "My Sweats" produced by the lovely Phae. This song inspires young ladies to be themselves and be true. For more of what Nyeri is doing check her site http://www.nyerismusic.com/ and be sure to join her mailing list for future shows and releases.

Monday, March 15, 2010

It's here!! She Got Talent $1,000.00 PRIZE


HEDONIS DA' AMAZON & MAULIE BLAKWELL are promoting an all female event on April 9th @ Club Skyy 701 Adams Ave... off the Roosevelt blvd it's call "SHE GOT TALENT"...we're giving away $1,000.00 and prizes to the best female performer of the night. This event will be video recorded and we will have a photographer for the night, it's gonna be great. (((((I know u know alot of talented females so Spread The Word)))!...Female performers! to enter hit up shegottalent10@gmail.com

Yes, Performances...Networking...Drinks...prizes...and dont forget! >>>>$1,000.00!!! See u @ Club Skyy!

KB Da Beat Goddess

When it comes to focus, KB Da Beat Goddess has it perfected. With "I Do This" Vol 1 Beat Tape and "This Is The Rmx" projects on Datpiff both of which I have in my Itunes, she is definitely serious about her craft and is one to watch!


My name is KB, My producer name is KB Da Beat Goddess. I'm 20 yrs old and I've been producing for 5 years now. I'm a classically trained violinist and I play piano. I love all types of music, but I mostly produce R&B, Hip-Hop, and Pop. Anyone interested in production from me, you can email me at kbdabeatgoddess@aim.com
Sites
www.myspace.com/beatgoddessproductionz
www.twitter.com/kbdabeatgoddess
http://www.beatgoddessproductionz.ning.com/
www.facebook.com/beatgoddessproductionz

Lloyd Banks - Beamer, Benz or Bentley (video)


Do record labels invest in musicians?

Record Labels Put Out Report Insisting That Record Labels Do, In Fact, Invest In Musicians

from the it-ain't-the-investment... dept

With the debates ongoing over where the music industry is heading, it's been amusing to watch the major record labels try to remain relevant. One talking point they've hit on lately is this idea that record labels are the only ones who invest in artists. So, for example, when we point out that multiple studies have shown that more money is being spent on music today -- just that it's going to other providers, rather than the record labels -- we've heard people come back by saying "but only the record labels invest in artists." Perhaps sensing a valuable talking point (and getting sick of claims from many in the industry that the labels have seriously cut back on investing in new artists), the IFPI has put out a report that basically is the major record labels screaming "hey, look, we do invest in new music!"


But, of course, no one really doubted that the major labels still invested in music, but lots of people are questioning how that money is being spent and what sorts of results they're getting from it. But where it gets funny is that the IFPI tries to use this to prove that labels still have a place, because, apparently, no one else could possibly fund musicians:

"Investing in music is the core mission of record companies," says [IFPI] boss John Kennedy. "No other party can lay claim to a comparable role in the music sector. No other party comes close to the levels of investment committed by record companies to developing, nurturing and promoting talent."

To which we would just add a rather important: yet. The labels still seem to think they have some divine right (or, perhaps it's just a gov't granted monopoly -- the two are so easy to confuse) to be at the center of the music industry.
And, of course, the amount invested, by itself, is not nearly as important as the return on investment. It's easy to throw lots of money away (and having been to more than a few big record label events, I can attest to their ability to throw away vast quantities of money in no time flat). But what most folks are focused on is the actual ROI.

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CeaserLiveSoul at the Trocedaro


One of the hardest working artists of Philly doin what he do at The Trocadero...


Saturday, March 13, 2010

Monday, March 8, 2010

A Philly Girl



Woke up today with Philly on my mind. Can't describe the feeling it happens all the time. No, I'm not gonna bore you with a poem .... that just happened to rhyme! lol But no, I had this over whelming feeling to show love for my city! Haters and all. And my goodness there are a lot of haters, slackers, talkers, scorned and bitter artists and whole bunch of other stuff that you can easily watch on the news. But I chose to focus on the positive, the good, the Music of Philly. Music is a universal language that speaks to many in ways that no Hallmark card could ever do. And when it speaks I listen. I've been exposed to the making of music growing up. My brothers had bands and they often practiced in the basement and it was always a good feeling running through me when they would start vibing. I could hear when a band member did something that wasn't part of the song but he felt something in the air and did it and they would go DAAAMMMM!! I could hear the papers rustling as they would re-write the music to include the new found sound.

But it's that DAAAMMM that I love about music. That music that makes you feel. The music that makes you remember. The music that makes you want to go make more music. Here in Philly there is a lot of that type of music. I have learned to find that kind of music and stop listening to music that's not giving off the DAM vibe. I may not be able to make it, yet, but I can find it! It's usually the ones who are just chillin and not really pressed about getting signed or being famous that have good music. Don't get me wrong, some of my Phillyans make a lot of noise because their music is so DAM good the want the world to hear it NOW. But it's all the same. Good music is Good music.

There is something happening in Philly and I am excited to watche it unfold. Beef's are squashed (those that matter)  people are throwing events left and right in honor of Philly artists. Female artists are more respected and creative as a part of this movement. And the love grows. The love for music. The love for progress. The need to move forward and no longer sit around and complain about what "aint" and do something about what "is". I know there are people who will say different and that's ok. Some people are here to analyze mud and name the worms. The rest of us will continue to appreciate and nurture the flowers that grow.

Sunday, March 7, 2010

Hip Hop by Protegee

I was the same way dude was in the begining of this video!!

Kind of the same way at the end too!!

Good Hip Hop

Tuesday, March 2, 2010

B. Kane's mixtape to drop on April 17th

Much anticipated but not disappoint....

Philly Femcee Bonanzaa

For a while people have been wondering where are the female emcees. Well here you go! And this is just a few of them to roam the underground network of Philly. Seek and you shall find. Dj NoPhirillz does what he does best...support Philly! Not Y, but Y Not. Sandman aka SandCannon has gone far and beyond with his P.C.P. (Philadelphia Coalition Performance) movement to present you with....


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